There are probably as many reasons to read old stories as there are teachers.
Old stories are sometimes strange. They display beliefs, values and ways of life that the reader may not recognize.
As an English professor, I believe that there is value in reading stories from decades or even centuries ago.
Teachers have their students read old stories to connect with the past and to learn about the present. They also have their students read old stories because they build students’ brains, help them develop empathy and are true, strange, delightful or fun.
Connecting with the past and present
In Shakespeare’s “Romeo and Juliet,” for example, teenagers speak a language that’s almost completely unfamiliar to modern readers. They fight duels. They get married. So that might seem to be really different from today.
And yet, Romeo and Juliet fall in love and make their parents mad, very much like many teens today. Ultimately, they commit suicide, something that far too many teens do today. So Shakespeare’s play may be more relevant than it first seems.
Additionally, many modern stories are based on older stories. To name only one, Charlotte Brontë’s “Jane Eyre” has turned up in so many novels since its original publication in 1848 that there are entire articles and book chapters about its influence and importance.
For example, I found references to “Jane Eyre” lurking in “The Princess Diaries,” the “Twilight” series and a variety of other novels. So reading the old story can enrich the experience of the new.
Building brain and empathy
Reading specialist Maryanne Wolf writes about the “special vocabulary in books that doesn’t appear in spoken language” in “Proust and the Squid.” This vocabulary – often more complex in older books – is a big part of what helps build brains.
The sentence structure of older books can also make them difficult. Consider the opening of almost any fairy tale: “Once upon a time, in a very far-off country, there lived …”
None of us would actually speak like that, but older stories put the words in a different order, which makes the brain work harder. That kind of exercise builds brain capacity.
Stories also make us feel. Indeed, they teach us empathy. Readers get scared when they realize Harry Potter is in danger, excited when he learns to fly and happy, relieved or delighted when Harry and his friends defeat Voldemort.
Older stories, then, can provide a rich depth of feeling, by exposing readers to a broad range of experiences. Stories featuring characters from a diverse range of backgrounds or set in unfamiliar places can have a similar effect.
Reading can be fun
Old stories are sometimes just so weird that you can’t help but enjoy them. Or I can’t, anyway.
In Charles Dickens’ “Great Expectations,” there’s a character whose last name is “Pumblechook.” Can you say it without smiling?
In Lewis Carroll’s “Alice’s Adventures in Wonderland,” a cat disappears bit by bit, eventually leaving only its smile hanging in the air. Again, new stories are also lots of fun, but the fun in the older stories may turn up in those new stories.
For example, that cat returns in many newer tales that aren’t even related to Alice in Wonderland, so knowing the cat’s history can make reading that new story more pleasurable.
I won’t deny that some old stories contain offensive language or reflect attitudes that we may not want to embrace. But even those stories can teach readers to think critically.
Not every old story is good, but when your teacher asks you to read one, consider the possibility that you might build your brain, grow your feelings or have some fun. It’s worth a try, at least.
This article is republished from The Conversation under a Creative Commons license. Read the original article.
[Image Credit: Pixabay]
Dr. Elisabeth Gruner is an Associate Professor of English at the University of Richmond where she teaches children's and young adult literature and Victorian literature, as well as Creative Nonfiction Writing. Her current research is on young adult literature and the "crisis in reading"; more broadly, she is interested in the relationships between children's and young adult literature and education.